Long time since I made an edit this controversial. š
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Aerozol[m]
Good times š
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zoedivision[m]
Ooh, I just discovered the "sampled IMDb entry" relationship, very cool
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zoedivision[m]
So, yesterday at home in the morning, I spent an hour or two entering works and recordings relationships for a release, then reached a stopping point where I was unsure how to proceed, and left it where I was, and went about the rest of my day.
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zoedivision[m]
This morning I turned on my monitor to find that my PC performed an update and rebooted, losing all my work. š„² š„²
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BlastboomStrice[
Ooof
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zoedivision[m]
Luckily it wasn't overly complicated. I'll be back to where I was by memory in no time š
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zoedivision[m]
reposting from yesterday : Is the "Live" recording attribute still applicable for "live-in-studio" recordings? (not just public concerts, etc)
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elomatreb[m]
I don't think there is a clear consensus
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elomatreb[m]
I think I would lean towards only using it for performances in front of an actual live audience
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zoedivision[m]
I see, I see. Yeah, I think I lean that way as well for general usage
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zoedivision[m]
but there's also a fair amount of cases out there where artists do explicitly describe the recordings as live-in-studio, and I can't really decide whether that muddies the waters too much or not š¤
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zoedivision[m]
It makes more sense if it's in contrast to another recording with more overdubs or 'production', but if it ends up being the *only* recording, I'm not so sure
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kepstin
"live in studio" is more or less a production technique, right? perform the entire song together as a band in a single take, rather than recording individual parts or mixing multiple takes
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leftmostcat[m]
Sounds like a good case for a separate attribute.
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zoedivision[m]
yeah, I def agree!
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zoedivision[m]
@kepstin ye I presume that's the general idea
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aerozol[m]1
zoe.division: I thought I remember this having come up before (what to mark as live), but couldnāt find it. Turns out thereās a note in the āpodcast and broadcast programsā guidelines: If the show is a recording of a live performance add āLiveā. Studio recordings that were recorded over multiple takes and then edited together are not considered live, even if a āstudio audienceā was present (for instance, to record
Doesnāt answer your question, but related. imo ālive in studioā is not live, unless there was an audience present
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zoedivision[m]
At first glance that basically seems like it's answering the inverse question
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zoedivision[m]
Like in TV, "Filmed in front of a live studio audience" versus Saturday Night Live, for example
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zoedivision[m]
In that guideline, it sounds like the distinguishing factor is multiple takes, overdubs, and the like, and not the presence of an audience
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leftmostcat[m]
That guideline is specifically for podcast and broadcast programs, not for album releases.
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zoedivision[m]
Yes, of course, but it seems to be the only detailed precedent we have at the moment.
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leftmostcat[m]
I'm not sure which is being referred to in this case, but it's an important distinction to make.
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aerozol[m]1
The distinguishing factor is the presence of the audience. Then a secondary factor is if itās actually a fully live recording, or was just filmed in front of a studio audience and then cut up
