#musicbrainz

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      • brianfreud
        Le nozze di Figaro, K. 492: Act I, Scene I. Recitativo "Cosa stai misurando" (Figaro, Susanna)
      • 2008-02-01 03208, 2008

      • brianfreud
        we could even drop the quotes, and do
      • 2008-02-01 03214, 2008

      • brianfreud
        Symphony No. 41 in C major, Jupiter, K. 551: I. Allegro vivace
      • 2008-02-01 03227, 2008

      • cooperaa
        What about Cantatas: Cantata, BWV 100 "The cantata name": I. Aria (soprano) "the words"
      • 2008-02-01 03252, 2008

      • xlotlu
        cooperaa: from a DB pov, it's wrong to type in Op. 30 for all the sonatas in it
      • 2008-02-01 03201, 2008

      • brianfreud
        Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major “Grabmusik”, K. 35a/42: VI. Duetto "Jesu, was hab ich getan?" (Der Engel, Die Seele)
      • 2008-02-01 03204, 2008

      • brianfreud
        instead of Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VI. Duetto "Jesu, was hab ich getan?" (Der Engel, Die Seele) ?
      • 2008-02-01 03228, 2008

      • brianfreud
        xlotlu: I disagree - “Op. 30” is the Beethoven equiv of K. 532
      • 2008-02-01 03222, 2008

      • xlotlu
        what's 532?
      • 2008-02-01 03238, 2008

      • brianfreud
        sorry, K. 536 - 12 German Dances
      • 2008-02-01 03225, 2008

      • xlotlu
        brianfreud: well, it's just as wrong to type in "K. 536" for each dance
      • 2008-02-01 03230, 2008

      • brianfreud
        cooperaa: We’ve always said opera style is a subset of CSG... I’m just looking for a way to make it really a subset, which means making both fit the same pattern, which they currently don’t, in just that one issue
      • 2008-02-01 03255, 2008

      • brianfreud
        xlotlu: no it’s not. K. 536 is the Kochel # for each dance. There just happen to be 12 dances ID’d as K. 536.
      • 2008-02-01 03230, 2008

      • xlotlu
        ID'd! good choice
      • 2008-02-01 03233, 2008

      • brianfreud
        Don’t try to think like “catalog number == 1 work, and only one work”, because that’s not how it works
      • 2008-02-01 03247, 2008

      • xlotlu
        you can't have more works with the same ID
      • 2008-02-01 03254, 2008

      • brianfreud
        yes, you can
      • 2008-02-01 03200, 2008

      • cooperaa_ joined the channel
      • 2008-02-01 03202, 2008

      • Amblin- has quit
      • 2008-02-01 03203, 2008

      • xlotlu
        DB talk here, mkay
      • 2008-02-01 03213, 2008

      • brianfreud
        K. 536 ID’s 12 different works. (Plus, if you add in the Zu XXX works, potentially even more than 12)
      • 2008-02-01 03214, 2008

      • cooperaa_
        heh
      • 2008-02-01 03230, 2008

      • xlotlu
        the "full ID" of a dance is "K. 536 No. 1"
      • 2008-02-01 03259, 2008

      • brianfreud
        K536 != key. K536.K01 = key, K536.K02 = key. K536.Z56 = key.
      • 2008-02-01 03248, 2008

      • brianfreud was rather annoyed when he discovered the existance of Zu works... :P
      • 2008-02-01 03256, 2008

      • xlotlu
        exactly. K536 is something else; and it's not something that should be typed in like the common name, but a field by itself
      • 2008-02-01 03220, 2008

      • xlotlu
        like in... "parent id"
      • 2008-02-01 03231, 2008

      • xlotlu
        where the parent is the damn opus
      • 2008-02-01 03236, 2008

      • cooperaa_
        ok
      • 2008-02-01 03237, 2008

      • brianfreud
        well, that’s why I broke that “Catalog_Number” structure CSG has into “Catalog Number” and “Opus Number”
      • 2008-02-01 03213, 2008

      • brianfreud
        Cat # ID’s the collection within the whole. Opus # ID’s the work within the collection.
      • 2008-02-01 03229, 2008

      • brianfreud
        then movement # ID’s the work within the Opus #
      • 2008-02-01 03200, 2008

      • brianfreud
        (then the a, b, c, etc ID’s the submovement within the movement #)
      • 2008-02-01 03228, 2008

      • brianfreud
        (and cooperaa’s -i, -ii, -iii ID’s the sub-submovement within the submovement)
      • 2008-02-01 03229, 2008

      • xlotlu
        you're forgetting beethoven: Opus 30 -- 3 sonatas
      • 2008-02-01 03200, 2008

      • brianfreud
        “Opus #” could perhaps be better named “Sub-Collection #”
      • 2008-02-01 03201, 2008

      • xlotlu
        and some sort of Cat. no would be Sonata No. 7
      • 2008-02-01 03215, 2008

      • cooperaa_
        I'm confident that brianfreud has thought this through thoroughly (probably more than anyone else)
      • 2008-02-01 03222, 2008

      • brianfreud
        yes, but remember, we’re dealing with catalog structures from the 18th century...
      • 2008-02-01 03237, 2008

      • cooperaa_
        I'm going to hit the hay
      • 2008-02-01 03240, 2008

      • MrQwerty has quit
      • 2008-02-01 03243, 2008

      • cooperaa_
        got get up for work tomorrow
      • 2008-02-01 03243, 2008

      • brianfreud just wishes he could do the cat #’s without bothering what some dude in 1788 decided to do :P
      • 2008-02-01 03247, 2008

      • brianfreud
        natta cooperaa
      • 2008-02-01 03254, 2008

      • xlotlu
        'night
      • 2008-02-01 03258, 2008

      • cooperaa_
        good luck sorting this out :)
      • 2008-02-01 03259, 2008

      • cooperaa_
        later
      • 2008-02-01 03200, 2008

      • MrQwerty joined the channel
      • 2008-02-01 03218, 2008

      • xlotlu
        brianfreud: we should screw them all (including kochel), and make a MB catalogue
      • 2008-02-01 03225, 2008

      • xlotlu
        MBMoz 1
      • 2008-02-01 03227, 2008

      • cooperaa_
        hehehe :)
      • 2008-02-01 03237, 2008

      • cooperaa_
        shot not doing the research
      • 2008-02-01 03244, 2008

      • brianfreud
        sure... if you really want to make the entire style list go apeshit on you, go ahead and propose it...
      • 2008-02-01 03248, 2008

      • xlotlu
        impose that as international standard and take over the world :P
      • 2008-02-01 03251, 2008

      • brianfreud is still hiding from em-dash
      • 2008-02-01 03256, 2008

      • cooperaa_
        ——————
      • 2008-02-01 03202, 2008

      • cooperaa_
        ……………
      • 2008-02-01 03205, 2008

      • cooperaa_
        I like it
      • 2008-02-01 03217, 2008

      • cooperaa_
        I can't wait 'til I can go edit "...and Justice for All" :)
      • 2008-02-01 03225, 2008

      • brianfreud
        cooperaa: before you go...
      • 2008-02-01 03240, 2008

      • brianfreud
        one quickie thing a wikipedia styleguide comment made me think of...
      • 2008-02-01 03223, 2008

      • brianfreud
        if we did use emdash for tempos, we could drop the spaces: Allego—andante—primo tempo
      • 2008-02-01 03236, 2008

      • brianfreud
        4 characters shorter than Allegro - andante - primo tempo
      • 2008-02-01 03247, 2008

      • cooperaa_
        cool
      • 2008-02-01 03255, 2008

      • cooperaa_
        I'm not too worried about that
      • 2008-02-01 03258, 2008

      • brianfreud is rather aware of the 255 char limit
      • 2008-02-01 03200, 2008

      • brianfreud
        lol
      • 2008-02-01 03203, 2008

      • cooperaa_
        :)
      • 2008-02-01 03206, 2008

      • brianfreud
        I run into it too often :P
      • 2008-02-01 03227, 2008

      • cooperaa_
        I've run into that on Beethoven's Ninth: IV :)
      • 2008-02-01 03230, 2008

      • cooperaa_
        that's it so far
      • 2008-02-01 03242, 2008

      • brianfreud
        is that the psycho one you have all the () in?
      • 2008-02-01 03251, 2008

      • cooperaa_
        probably
      • 2008-02-01 03258, 2008

      • brianfreud
        125 movement 4, iirc
      • 2008-02-01 03204, 2008

      • cooperaa_
        yup
      • 2008-02-01 03209, 2008

      • cooperaa_
        Symphony No. 9 in D minor, Op. 125 "Choral": IV. Recitative. (Presto - Allegro ma non troppo - Vivace - Adagio cantabile - Allegro assai - Presto "O Freunde") - Allegro assai "Freude, schöner Götterfunken" - Alla marcia - Allegro assai vivace "Froh, wie seine Sonnen" - Andante maestoso "Seid umschlungen, Millionen!" - Adagio ma non troppo, ma divoto "Ihr, stürzt nieder" - Allegro energico, sempre ben marcato ("Freude, s
      • 2008-02-01 03220, 2008

      • brianfreud
        yeah, not a clue how I would do that mess
      • 2008-02-01 03233, 2008

      • brianfreud
        but you have that same “sleigh ride” submovement’s with titles problem I ran in to
      • 2008-02-01 03235, 2008

      • cooperaa_
        brackets are needed to show what is a subsection of what
      • 2008-02-01 03204, 2008

      • brianfreud
        at a certain point, any of this becomes textual vomit :P
      • 2008-02-01 03211, 2008

      • cooperaa_
        yup
      • 2008-02-01 03215, 2008

      • cooperaa_
        I edited my local file...
      • 2008-02-01 03241, 2008

      • cooperaa_
        still pretty disasterous:
      • 2008-02-01 03242, 2008

      • cooperaa_
        Symphony No. 9 in D minor, Op. 125 "Choral": IVb. Presto) - Allegro assai - Alla marcia - Allegro assai vivace - Andante maestoso - Adagio ma non troppo, ma divoto - Allegro energico, sempre ben marcato - Allegro ma non tanto - Prestissimo
      • 2008-02-01 03208, 2008

      • cooperaa_
        Should really just be something like IVb. Presto
      • 2008-02-01 03209, 2008

      • MrQwerty` has quit
      • 2008-02-01 03242, 2008

      • brianfreud
        wait...
      • 2008-02-01 03252, 2008

      • brianfreud
        if I read that right, you have sub-submovements with titles?
      • 2008-02-01 03209, 2008

      • brianfreud
        Allegro assai vivace "Froh, wie seine Sonnen", etc?
      • 2008-02-01 03217, 2008

      • cooperaa_
        yes
      • 2008-02-01 03222, 2008

      • cooperaa_
        those are the vocal parts
      • 2008-02-01 03226, 2008

      • brianfreud
        holy christ Beethoven....
      • 2008-02-01 03252, 2008

      • cooperaa_
        the damn movement is 23 minutes long...
      • 2008-02-01 03254, 2008

      • brianfreud
        I thought 3 German Dances for Orchestra in C major, K. 605 No. 3: German Dance & Trio "Die Schlittenfahrt" & Coda was going too far, but that’s just insane
      • 2008-02-01 03213, 2008

      • cooperaa_
        it could be split into 5 sub-movements
      • 2008-02-01 03225, 2008

      • brianfreud
        Why not do that?
      • 2008-02-01 03244, 2008

      • cooperaa_
        because on CDs it is usually 1 or 2 tracks split right before the vocal entrance
      • 2008-02-01 03205, 2008

      • brianfreud
        true.... I’ve seen it live, and it is one insane movement
      • 2008-02-01 03218, 2008

      • cooperaa has quit
      • 2008-02-01 03224, 2008

      • cooperaa_
        cool, I haven't had the pleasure yet... one day for sure though!
      • 2008-02-01 03228, 2008

      • brianfreud notes that B’s 9th has caused him a breakup in the past :P
      • 2008-02-01 03235, 2008

      • cooperaa_
        lol
      • 2008-02-01 03201, 2008

      • cooperaa_
        she didn't like it and you told her she wasn't worthy to wash Beethoven's feet? ;)
      • 2008-02-01 03204, 2008

      • brianfreud
        note to self: never ever ever go see B’s 9th with an even more classical-obsessed gf, then comment afterwards that you could study while listening to it
      • 2008-02-01 03213, 2008

      • cooperaa_
        hahahahahahahahaha
      • 2008-02-01 03244, 2008

      • cooperaa_
        oh that's priceless
      • 2008-02-01 03251, 2008

      • cooperaa_
        on that note, I'm outta here
      • 2008-02-01 03256, 2008

      • brianfreud
        see ya :)
      • 2008-02-01 03256, 2008

      • cooperaa_
        good luck figuring the db stuff out
      • 2008-02-01 03257, 2008

      • cooperaa_
        cya
      • 2008-02-01 03204, 2008

      • cooperaa_ has quit
      • 2008-02-01 03217, 2008

      • xlotlu
        "c'mon love, i'm just more of a mozart type"
      • 2008-02-01 03226, 2008

      • brianfreud
        I know the moin code’s a bitch, but feel free, anyone, leave comments on that table page I made, and I’ll try to make it work
      • 2008-02-01 03212, 2008

      • brianfreud
        well, I would definitely put Mozart up there, but my all time top classical work isn’t his, I admit
      • 2008-02-01 03222, 2008

      • brianfreud
        K. 626 comes in #2
      • 2008-02-01 03237, 2008

      • xlotlu
        after?
      • 2008-02-01 03246, 2008

      • brianfreud
        Benjamin Britten: War Requiem
      • 2008-02-01 03212, 2008

      • xlotlu
        i never digested Britten
      • 2008-02-01 03227, 2008

      • brianfreud
        Mozart’s Requiem can make you cry. Britten’s War Requiem can devistate you.
      • 2008-02-01 03259, 2008

      • xlotlu
        guess i'll have to give it a try
      • 2008-02-01 03210, 2008

      • brianfreud
        Some of Britten is very wierd... I’ve performed some of his works. But have you ever heard the New York Philharmonic recording of the War Requiem?
      • 2008-02-01 03253, 2008

      • xlotlu
        i don't think i ever heard it. i did some britten experiments years ago, didn't get along, never listened again
      • 2008-02-01 03220, 2008

      • brianfreud
        yeah, this isn’t quite as experimental as his other works
      • 2008-02-01 03222, 2008

      • xlotlu
        it's true though, at that time i never knew what i should listen to, doing random sampling at the library
      • 2008-02-01 03209, 2008

      • xlotlu
        brianfreud: i'm thinking about totally making this a tree
      • 2008-02-01 03213, 2008

      • brianfreud
        yeah. the War Requiem, he wrote a pacifist’s requiem to WW2, using the traditional Requiem text mixed with poetry of Wilfred Owens.
      • 2008-02-01 03223, 2008

      • brianfreud still random samples :P
      • 2008-02-01 03241, 2008

      • MrQwerty` joined the channel
      • 2008-02-01 03254, 2008

      • xlotlu
        my entire life is made of random sampling :P
      • 2008-02-01 03217, 2008

      • brianfreud
        but, then, I kind of get Britten... It’s rather telling, I guess, that I can listen to John Cage, and I love Steve Reich...
      • 2008-02-01 03244, 2008

      • xlotlu
        so..
      • 2008-02-01 03218, 2008

      • xlotlu
        "Op. 30" is simply a row; its descendant: "sonata no. 8"; its descendant: "Allegro assai"; and so on, submovements, sub-sub..
      • 2008-02-01 03234, 2008

      • brianfreud
        pretty much
      • 2008-02-01 03202, 2008

      • xlotlu
        and then just figure out how to spit all the tree in a degestable form
      • 2008-02-01 03211, 2008

      • brianfreud
        I guess we just draw the line, since at a certain point the redundancy in text, while perhaps more valid from a db pov, becomes undigestible
      • 2008-02-01 03231, 2008

      • brianfreud
        Just overkill --> 3 German Dances for Orchestra, K. 605: German Dance for Orchestra in C major: German Dance & Trio "Die Schlittenfahrt" & Coda
      • 2008-02-01 03212, 2008

      • xlotlu
        if you put it that way, yeah. but maybe the spitting out will be smarter :)
      • 2008-02-01 03226, 2008

      • brianfreud
        that is the smart spitout, though :P
      • 2008-02-01 03237, 2008

      • xlotlu
        no, that's the straight spitout
      • 2008-02-01 03244, 2008

      • brianfreud
        :P
      • 2008-02-01 03249, 2008

      • xlotlu
        the smart one would be the current form
      • 2008-02-01 03223, 2008

      • brianfreud
        :)
      • 2008-02-01 03248, 2008

      • xlotlu
        this would also make it possible for weirder combined works..
      • 2008-02-01 03209, 2008

      • xlotlu
        .. like that ballet that had each movement written by a different composer
      • 2008-02-01 03239, 2008

      • brianfreud understands... dealing with an opera by like 6 different composers
      • 2008-02-01 03245, 2008

      • xlotlu
        or 626 :P .../me hides
      • 2008-02-01 03242, 2008

      • brianfreud
        :P
      • 2008-02-01 03251, 2008

      • brianfreud pulls gun, shoots xlotlu
      • 2008-02-01 03211, 2008

      • xlotlu queues 626 and pauses amarok
      • 2008-02-01 03201, 2008

      • xlotlu
        think i've mostly figured it out... maybe i'll have something up by monday