#musicbrainz

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      • aphirst
        not caring is not a solution
      • 2019-01-04 00446, 2019

      • aphirst
        but this is just hair splitting
      • 2019-01-04 00451, 2019

      • darwin
        how is it the problem if the consumer doesn't care about it, but sure :)
      • 2019-01-04 00458, 2019

      • aphirst
        "everyone collectively made a bad decision" is the least satisfying of all worlds
      • 2019-01-04 00425, 2019

      • Kapish has quit
      • 2019-01-04 00447, 2019

      • aphirst
        "everyone agreed on something not actually in their own best interest for [god knows why]"
      • 2019-01-04 00449, 2019

      • aphirst
        see: politics
      • 2019-01-04 00452, 2019

      • darwin
        while I don't disagree, exactly, I think we undervalue what-people-actually-want at our peril, heh
      • 2019-01-04 00415, 2019

      • aphirst
        interests are decoupled
      • 2019-01-04 00422, 2019

      • darwin
        in reality, with people djing 320 mp3s in the club, nothing is lost compared to everyone using FLAC.
      • 2019-01-04 00446, 2019

      • darwin
        nothing anyone can detect, and in return there's a huge amount of "ease of use" from the defacto standard being smaller than WAV
      • 2019-01-04 00456, 2019

      • aphirst
        legitimate technical interest vs "i want thing to work without having to think" vs "i want to sell stuff at highest price with lowest effort"
      • 2019-01-04 00405, 2019

      • Dr-Flay
        I DJ with Winamp/WACUP so use whateve formats the files come in, including tracker modules
      • 2019-01-04 00440, 2019

      • aphirst
        but a someone who doesn't even really understand or appreciate what it is that DJs are actually supposed to do all i can do is shrug the shoulders
      • 2019-01-04 00405, 2019

      • darwin
        google "harmonic dj mixing" and you'll understand at least one thing that DJs do :)
      • 2019-01-04 00416, 2019

      • darwin
        briefly, they make sure the songs are in compatible keys
      • 2019-01-04 00433, 2019

      • aphirst
        sounds like something computers can do?
      • 2019-01-04 00443, 2019

      • Dr-Flay
        or use a bridge sample with no beat
      • 2019-01-04 00451, 2019

      • aphirst
        or that could be handled automatically by listening once and tagging appropriately?
      • 2019-01-04 00459, 2019

      • darwin
        sure, computers ultimately can do everything, so what you just said is a non-statement to me, but sure
      • 2019-01-04 00411, 2019

      • darwin
        (yes, yes, not "everything")
      • 2019-01-04 00416, 2019

      • aphirst
        do i look like someone who goes to parties or who listens to music people play at parties
      • 2019-01-04 00435, 2019

      • Dr-Flay
        go to better parties
      • 2019-01-04 00453, 2019

      • aphirst
        pretty much the entirety of english language popular music for 20 years could drop off the face of the map and i wouldn't notice
      • 2019-01-04 00459, 2019

      • darwin
        I simply use DJing as an example where people (DJs) theoretically would want to use lossless, because they're amplifying their source file to a large audience at high volume
      • 2019-01-04 00416, 2019

      • aphirst
        darwin, presumably using highest quality audio equipment
      • 2019-01-04 00427, 2019

      • darwin
        but in practice, neither the industry nor the artists nor the audience in question really care
      • 2019-01-04 00446, 2019

      • aphirst
        on the flip side though, archivists only have to rip an album correctly once
      • 2019-01-04 00400, 2019

      • darwin
        and, I submit, probably shouldn't. because nobody can meaningfully tell the difference in sound between this world and that world.
      • 2019-01-04 00415, 2019

      • darwin
        and "we" get a giant win from using MP3 vs wav already
      • 2019-01-04 00454, 2019

      • aphirst
        i wonder whether there will ever be a 'new wave' of lossless audio formats that exploit hitherto unknown patterns in sound
      • 2019-01-04 00459, 2019

      • discopatrick has quit
      • 2019-01-04 00403, 2019

      • darwin
        I totally agree about archivists, but almost no one is an archivist, and a lot fewer people this year than, say, 10 years ago.
      • 2019-01-04 00416, 2019

      • aphirst
        fewer by number or by percentage
      • 2019-01-04 00425, 2019

      • aphirst
        by percentage trivially true because now almost everyone interacts with digital audio
      • 2019-01-04 00426, 2019

      • darwin
        fair point, percentage.
      • 2019-01-04 00406, 2019

      • Dr-Flay
        media has become disposable so nobody feels the need to archive. Untill they have no web connection
      • 2019-01-04 00408, 2019

      • aphirst
        this is something i dislike about money-based incentive structures
      • 2019-01-04 00425, 2019

      • aphirst
        or fandoms/clubs/interest-groups in general
      • 2019-01-04 00429, 2019

      • aphirst
        the pattern is the same
      • 2019-01-04 00403, 2019

      • aphirst
        core group of diligent individuals remains mostly steady state, but then there's a boom of "secondary" interest that proportionally swamps them, mainly due to /by construction/ being low-effort engagers
      • 2019-01-04 00404, 2019

      • darwin
        a class of objects with endless supply, that never degrades, must decrease in value even if that value is only measured by attention
      • 2019-01-04 00416, 2019

      • aphirst
        and then all the money and attention gets shifted to them
      • 2019-01-04 00424, 2019

      • Dr-Flay
        torrent isnt very useful for long term archiving, it is best for distribution. The classic model of p2p works for long term archiving
      • 2019-01-04 00435, 2019

      • aphirst
        because "there are almost none of the nerds" despite it being a conflation of numbers
      • 2019-01-04 00452, 2019

      • Dr-Flay
        ^this
      • 2019-01-04 00454, 2019

      • aphirst
        Dr-Flay, yeah it's always a shame when interesting torrents die
      • 2019-01-04 00404, 2019

      • darwin
        aphirst: you seem to be basically describing a bell curve of interest, it does not seem surprising that the more general the audience the less deep the interest
      • 2019-01-04 00419, 2019

      • aphirst
        darwin, exactly, though i am emphatically lamenting it too
      • 2019-01-04 00427, 2019

      • darwin
        without the secondary market, the thing actually mostly doesn't really exist
      • 2019-01-04 00429, 2019

      • aphirst
        it screws everything up because it ends up sabotaging everything
      • 2019-01-04 00450, 2019

      • darwin
        taking musical trends as an example, baltimore club music for example basically doesn't exist outside of baltimore, and then outside of a very small subset of people there
      • 2019-01-04 00458, 2019

      • Dr-Flay
        I have used Shareaza for many years, and often restarted old downloads from salvaged drives. Even had an 8 year old file finish. You wont get that with torrent
      • 2019-01-04 00402, 2019

      • darwin
        Diplo popularizes it and it lives "forever" as a style
      • 2019-01-04 00405, 2019

      • aphirst
        evicting the very people who'd make the group have any lasting value by overprioritising appealing to the short term, relatively mindless flocks
      • 2019-01-04 00430, 2019

      • aphirst
        tldr elitism
      • 2019-01-04 00437, 2019

      • darwin
        most forms of human creativity are fashion, it's not surprising that fashions rise and fall
      • 2019-01-04 00447, 2019

      • aphirst
        it's more than that though
      • 2019-01-04 00453, 2019

      • aphirst
        it's not merely ebbe and flow
      • 2019-01-04 00407, 2019

      • darwin
        I wouldn't say merely, I'd say primarily.
      • 2019-01-04 00413, 2019

      • Dr-Flay
        well, science is an expesion of our creativity
      • 2019-01-04 00421, 2019

      • aphirst
        there's usually a destructive element too, feedback from the new majority against the old guard for whatever stupid reason someone thinks up
      • 2019-01-04 00430, 2019

      • aphirst
        money or bad ideology, whatever
      • 2019-01-04 00421, 2019

      • darwin
        yeah, in any case, in sum. if I were coding a video game and needed a good, space efficient audio codec to license for free, I'd use opus for sure.
      • 2019-01-04 00428, 2019

      • aphirst
        sorry, i'm in a crummy mood atm
      • 2019-01-04 00446, 2019

      • darwin
        if I was doing anything with consumer devices outside of the case where I really care about filesize, I'd use mp3 :)
      • 2019-01-04 00404, 2019

      • darwin
        it's all good man, we're just some enthusiastic nerds on the internet
      • 2019-01-04 00421, 2019

      • Lotheric
        just remember the days of realaudio and be grateful :)
      • 2019-01-04 00425, 2019

      • darwin
        I fundamentally agree with most of your critique of collective behavior and its especially technically suboptimal expression of my preferences
      • 2019-01-04 00447, 2019

      • aphirst
        .rm anime with hardsubs
      • 2019-01-04 00418, 2019

      • Dr-Flay
        i have a bunch of stuff I ripped from the BBC site at the end of the 90s, all in realmedia fomat
      • 2019-01-04 00454, 2019

      • Dr-Flay
        only reason I still install RM support in Winamp
      • 2019-01-04 00402, 2019

      • darwin
        lol, .rm anime with hardsubs
      • 2019-01-04 00405, 2019

      • CallerNo6
        Please do not challenge my "the 90s were better" narrative.
      • 2019-01-04 00405, 2019

      • aphirst
        h264 was a hell of a game changer though for the mainstream
      • 2019-01-04 00415, 2019

      • darwin
        Dr-Flay: I have a bunch of stuff I encoded off tv in mpeg-1
      • 2019-01-04 00445, 2019

      • aphirst
        the difference between mpeg4 and h264 for a lot of purposes was night and day
      • 2019-01-04 00453, 2019

      • Dr-Flay
        I still have my first CD rips I did on my Amiga 1200. all in MP2
      • 2019-01-04 00406, 2019

      • aphirst
        well, i'm not that old (thankfully?)
      • 2019-01-04 00415, 2019

      • darwin
        I ripped vinyl to 160k/s mp3 :/
      • 2019-01-04 00429, 2019

      • aphirst
        i only got online /on my own machine at home/ by 2006 or so
      • 2019-01-04 00446, 2019

      • aphirst
        my experience with rm and so on are faint childhood memories at other people's houses
      • 2019-01-04 00446, 2019

      • Dr-Flay
        I was using 192k from the start
      • 2019-01-04 00450, 2019

      • aphirst
        who used winmx, i recall
      • 2019-01-04 00407, 2019

      • aphirst
        now this may be a controversial opinion
      • 2019-01-04 00422, 2019

      • aphirst
        but I don't really see the point in home vinyl rips
      • 2019-01-04 00422, 2019

      • Lotheric
      • 2019-01-04 00425, 2019

      • Lotheric
        :D
      • 2019-01-04 00447, 2019

      • Dr-Flay
        I remember reading that CDs equate to about 170k in MP3 terms, so 160 isnt quite enough, but 192 should catch it all
      • 2019-01-04 00401, 2019

      • Dr-Flay
        If you rip vinyl to digital it is worth it if you use 24 or 32 bit and at least 48kHz
      • 2019-01-04 00433, 2019

      • aphirst
        it seems that every pop or recording imperfection undermines the point
      • 2019-01-04 00438, 2019

      • aphirst
        to me
      • 2019-01-04 00411, 2019

      • Dr-Flay
        Ah well if you look after your records and they are only ever played to record they should sound fine
      • 2019-01-04 00422, 2019

      • aphirst
        still, you know what i mean
      • 2019-01-04 00401, 2019

      • aphirst
        it feels really masturbatory to use grooves in plastic for audio when in 2018 it really should be all digital
      • 2019-01-04 00432, 2019

      • aphirst
        it's the music you want to listen to, except it's guaranteed to be imperfect and only get irreparably worse over time and use
      • 2019-01-04 00448, 2019

      • Dr-Flay
        unless it has a lot of scratches or dirt the pops and crackles should hardly be notacable. depaends on the dynamic range of the music
      • 2019-01-04 00407, 2019

      • aphirst
        it being "noticeable" still means it differs from what was intended to be pressed onto the platter
      • 2019-01-04 00418, 2019

      • aphirst
        *regardless of
      • 2019-01-04 00411, 2019

      • darwin
        I mean, I'm from the DJ world. you won't find me disagreeing that DJing with vinyl is an unkind thing to do to your precious vinyl collection.
      • 2019-01-04 00430, 2019

      • Dr-Flay
        I would much rather risk the ocasional pop or crackle than the contant clipping of modern digital recordings
      • 2019-01-04 00436, 2019

      • darwin
        also, it's a total waste of literal energy to ship all that heavy plastic everywhere.
      • 2019-01-04 00454, 2019

      • darwin
        Dr-Flay: almost all modern vinyl is mastered from digital?
      • 2019-01-04 00401, 2019

      • aphirst
        use an expensive, obsolete, fragile, ephemeral format which requires incredible care AND expensive equipment
      • 2019-01-04 00406, 2019

      • darwin
        which is when the argument gets really bizarro for me.
      • 2019-01-04 00416, 2019

      • aphirst
        instead of just extending the digital formats
      • 2019-01-04 00437, 2019

      • aphirst
        all for the sake of... not being able to make lossless or reproducible copies?
      • 2019-01-04 00414, 2019

      • aphirst
        i've seen plenty of 24bit flac (or more) floating around so it's clearly possible to release like this digitally
      • 2019-01-04 00429, 2019

      • aphirst
        cheap consumer hardware not being easily upgradeable to new standards is a poor excuse
      • 2019-01-04 00452, 2019

      • aphirst
        almost nothing produced after about 2006 has a serious excuse
      • 2019-01-04 00413, 2019

      • aphirst
        but this is again a broader economic/political problem
      • 2019-01-04 00418, 2019

      • Dr-Flay
        this is the problem with digital formats https://en.wikipedia.org/wiki/Loudness_war
      • 2019-01-04 00436, 2019

      • aphirst
        *is a problem with appealing to idiots and letting marketing dictate technical decisions
      • 2019-01-04 00459, 2019

      • aphirst
        replaygain came too late
      • 2019-01-04 00443, 2019

      • Dr-Flay
        beats me why most of the media players I have tried just have an on/off option for adding volume leveling to your library, rather than let you just do 1 track or 1 album
      • 2019-01-04 00447, 2019

      • aphirst
        nothing about digital audio compels you to make bad mastering decisions
      • 2019-01-04 00403, 2019

      • aphirst
        i like doing per album replaygain
      • 2019-01-04 00417, 2019

      • aphirst
        helps smooth out garish differences when making my own playlists
      • 2019-01-04 00456, 2019

      • Dr-Flay
        indeed, but I we are not in charge of the record labels, so we constantly get blown out recording we paid for
      • 2019-01-04 00429, 2019

      • darwin
        also get to enjoy spotify audible-in-many-cases watermarking
      • 2019-01-04 00414, 2019

      • Dr-Flay
        Yeah, Winamp adds album and track volume levels so you can listen to Pink Floyd without it jumping up and down
      • 2019-01-04 00416, 2019

      • aphirst
        maybe in another hundred years we'll have clever AI which can "fully" decompose all music
      • 2019-01-04 00436, 2019

      • aphirst
        essentially reproducing the conditions in the recording studio, voices and instruments and all
      • 2019-01-04 00453, 2019

      • Dr-Flay
        maybe it would be a sort of uber midi or tracker player
      • 2019-01-04 00403, 2019

      • aphirst
        that'd be the closest analogy
      • 2019-01-04 00409, 2019

      • aphirst
        but obviously very, very, very sophisticated
      • 2019-01-04 00445, 2019

      • Dr-Flay
        feed it the raw info and using fractal methods it could render any variation
      • 2019-01-04 00446, 2019

      • aphirst
        you'd have to implicitly model the sound properties of most materials and also model human voice and language
      • 2019-01-04 00402, 2019

      • darwin
        we're going to need a lot of computronium
      • 2019-01-04 00453, 2019

      • aphirst
        still no verification email
      • 2019-01-04 00458, 2019

      • CallerNo6
        aphirst, "If you do not receive this email and it is not in your spam folder, email us about this at support@musicbrainz.org, and we'll try to find out what went wrong."
      • 2019-01-04 00408, 2019

      • CallerNo6
        or ask in #metabrainz (dev channel)
      • 2019-01-04 00433, 2019

      • CallerNo6
        Or maybe reosarevok will pop up with an answer.
      • 2019-01-04 00417, 2019

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      • CatQuest
        oh man people saying las 20 years of music is worthless
      • 2019-01-04 00441, 2019

      • timbl joined the channel
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      • CatQuest
        also what's wrong with harsubs :D
      • 2019-01-04 00448, 2019

      • CatQuest
        hardsubs
      • 2019-01-04 00421, 2019

      • CatQuest
        :O mp2 wow i'd love ot get my hands on a mp2 (just for the effect of it!)
      • 2019-01-04 00443, 2019

      • timbl has quit
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      • CatQuest
        "don't really see the point in home vinyl rips"