When does that go into production? Is there a periodic software update, or is it matter of software releases?
luks
it will go live in the next release
which will be probably in a month and something
copper
ok
MartinRudat
hmm... of what use are changelog/edit notes on release annotations, given that they're autoedits? or is it to give later people a hint about reverting the edit or not?
... "The world's best ever beer songs 2005" released 2004-11-11 ? hmm... I suppose that makes sense more or less...
HairMetalAddict
Like magazines appearing in March 2007 with "June 2007" on the cover. ;-)
MartinRudat
hmm... the publishers have a time machine? =)
copper
it's fashionable I guess
MartinRudat
...better than '98 coming out in '99, I suppose.
HairMetalAddict
Then again, it's currently 1989 and yet for some reason I'm getting albums released in "2007".
copper
hmmm you don't seem like yourself, Marty
HairMetalAddict
The 80s are 4-ever. ;-)
copper thinks Marty has used the DeLorean once too many
MartinRudat
HMA: heh. =)
"who're you calling a chicken?" =)
MartinRudat transcribes release annotations (which he entered in the first place) with label and stuff in 'em to release events...
yllona has quit
MartinRudat ponders the Billboard: Rock 'n' Roll Hits series, and wonders if it'd be annoying to re-rename the releases from "Rock & Roll" to "Rock 'n' Roll" like it says on the cover...
BrianFreud
luks/mo/Martin: Just typed up and sent out on style the results I found from going through and cross-comparing every single AR type we have (or don't have, in a few cases).
HairMetalAddict
If that's what's on the cover, then that's what it should be.
MartinRudat adds 'rename "Billboard: Top Rock & Roll Hits" to "Billboard: Top Rock 'n' Roll Hits"' to his todo list.
MartinRudat
'twould probably help if I was subscribed to the style list, I'd imagine. =)
MartinRudat blahs at an AR he just added. Startel is not the parent of Rajon, it's the other way 'round... or, how do you represent a merger of labels?
I ran into that a while back. Check the ARs for Edison Phonograph Company, North American Phonograph Company, and National Phonograph Company
MartinRudat
BrainFreud: I thought that for earliest release relationship, the audible content of both tracks in the relationship are supposed to be identical... in which case, the produced version can't possibly be the earliest release of the demo...
BrianFreud
It's a little confusing, cause we have both a "earliest version of" and a "earliest release of" track-track AR
that one's talking about the "earliest version of" AR
Rondom joined the channel
MartinRudat
we do? ... agh!
BrianFreud
yeah
luks doesn't really have an opinion about track-track ARs because they should all be removed until we have track merging
"earliest release of" covers the non-remastered track re-release situation. "remaster of" covers the remastered track release situation. "earliest version of" is the catchall for the rest
except... the wiki for the "earliest version of" incorrectly says that "remaster of" ought to be used, when it means "earliest release of" ought to be used. :P
MartinRudat
oh, I see now.
hmm... 'She Will Have Her Way: The Songs of Tim and Neil Finn' is a cover of 'She Will Have Her Way: The Songs of Tim and Neil Finn (bonus disc: The Original Versions)'? =)
BrianFreud
lol, I knew there had to be one example of it in there - but really, as a separate type of AR from just "cover of" on all tracks, is it really needed? Or does it just over-complexify?
even a single track from a different release on the cover album would invalidate that album-album AR. Just seems overly redundanty, and very limited in when it can be used, while essentially duplicating the much more easily used track-track AR
MartinRudat
well... if someone tells me how I can add multiple relationships in a batch, I can see having release is a cover of release as being redundant... then again, how about track vs release performance relationships?
BrianFreud
My opinion is that all ARs ought to be applied at the lowest possible level, since they don't inherit downwards
luks
we need to slowly get rid of release performance ARs
MartinRudat
I agree that 3) is needed.
BrianFreud
#6 was the real reason I decided to write this up :)
MartinRudat
luks: do you want to be lynched by people entering classical releases? where every performer in the release is billed?
luks
no, I don't want
BrianFreud
MartinRudat... I just did almost 14,000 track ARs... :P
luks
that why I fixed the interface to make it easy to add track ARs
the problem is that if you will have one classical tracks on two releases, you can either have one set of track ARs or duplicate release ARs
MartinRudat has got to dig out a classical release to feed in at some stage, to see how much the world's changed since I did one last.
MartinRudat: nothing has changed yet
it will be in the next release
MartinRudat
ah. okay. I won't be getting my hands on my CDs until christmas time, anyhow. I don't see myself going to get a classical release just to add it to the database...
BrianFreud
release level.
"Yet we have this AR only at the track level, and not the release level" ought to read "Yet we have this AR only at the release level, and not the track level"
luks
BrianFreud: I don't expect you will have many comments on mb-style
if you want to get this done, you will need to split it into smaller changes
BrianFreud
I figured it was strictly style related, but you're right
luks
then say what exactly do you want to change
RFC -> (maybe discussion) -> RFV -> (maybe veto) -> a couple of days -> done
in other words, there is noone would you say: ok, let's do this
you will need to be the person
BrianFreud
lol, easily said, hard to do - been through that twice :P
luks
no, you haven't been there
BrianFreud
even the suggestion of an RFV phase seems to kill all discussion on all proposals from anyone
luks
people usually expect that they post something to mb-style and then somebody will decide
but it doesn't work that way anymore :/
BrianFreud
Right - the difficulty I ran into is that some people mis-see the RFV phase as simply "I can say I veto it".
luks
there is no problem if the discussion stops
BrianFreud
And once they throw out the veto without an alternate solution, that's when I find discussion normally stops.
luks
that just means it's time for RFV
BrianFreud
that's why the DQ one stopped - a pre-emptive veto was sent before it ever even hit RFV, and everyone clammed up
luks
preemptive veto means nothing
people like to argue, that's all
BrianFreud
you know that and I know that, but not a lot of people on style seemed to recognize that - and I wasn't quite sure how to get it through that RFV into actually having something be done...
that's where even the wiki admits the process gets very hazy
luks
but what I'm trying to say, if it stops, it means that you should pick it up, not that it's dead
imagine you are the one running this particular part of MB
you are not asking somebody else to do a change
MartinRudat
hmm... all interesting suggestions, but I'd say that you want to have sent out (at least) 7 different emails for that lot.
BrianFreud
So, "Ok, this is now an RFV. Any veto must propose an alternate solution. If no such vetos occur in the next two weeks, we'll consider this RFV to be finalized"?
luks
you are asking for permission to change something yourself
a veto can mean that the problem you are trying to solve if not a problem for other people
MartinRudat
I wasn't even aware you _could_ attach urls to tracks (given I've never had an occasion to want to)... so _that_'s where you stick information about where stuff got recorded...
luks
then you can't have any alternative solution
BrianFreud
MartinRudat: yeah, I only found it cause I was looking for any ARs I'd not seen before
and a track-url is not really anything like what you need for that type of info
MartinRudat
dunno, there's at least one album I know I'm going to be adding that AR to, it's got tracks recorded in all sorts of different places in the UK...
BrianFreud
yes, but you have to link the track to the official site of the recording location
MartinRudat
...though, I wonder if the website of a church or a cathedral would count as a 'recording studio'... =)
BrianFreud
Would make MUCH more sense to be able to set the recording location up as an entity, link the track(s) to that entity, then that entity be able to have a "has an official site at" AR of its own...
luks
isn't there many other missing ARs to add?
for these kind of ARs I'd wait until we have proper support for them
BrianFreud
Sure, but I was trying to deal with where the ones we have already are funky or just plain "huh? wtf???"
luks
no, I meant martin's recording studio URLs
BrianFreud
luks: Well, all we'd need is to add a new labeltype "Recording Location"
totally agree - just looking at overloading it into Label as a shorter term solution
luks
labels are abused enough, already
BrianFreud
it could be migrated to Location easily, once separate support for "Location" exists
Just point "location" to that overloaded Label field, and take it back out of the Label subtype list...
luks
it would clutter labels listings too much
BrianFreud
has to be a better solution that each track linking randomly to various websites for venues...
*s/that/than
demonhunter joined the channel
luks
not really
you can easily track the studios from URLs
MartinRudat
I agree that waiting for proper locations is better than abusing 'Label' for it.
BrianFreud
luks: That assumes the studios have websites
Even assuming every track using that AR were to link to the exat same url every time someone wanted that same location, it limits that AR's use to all locations which have a web presence, thus mostly eliminating everything prior to 1996 or so
MartinRudat
BrianFreud: my primary school's church has a website. it's been around for somewhat longer than since 1996; failing that, you could point at google maps, I'd suppose...