Sylvhem: Depending on how variant they are, you might say they are three recordings of the same work, or recordings of three works which are based on a common work? E.g., recordings of a jazz standard are going to be different every time but are recordings of the same work, whereas recordings of a classical theme and variations are going to be (mostly) the same each time, but the underlying works have a clear relationship.
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Sylvhem
crism: Thanks! I think I’m going to suggest to fuse those works and see what the people who are subscribed to those entities think.
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reosarevok
POURRITURE 7 and POURRITURE 2 have different ISWCs, in case Sylvhem reads logs
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loujine
CatQuest: the Hyperion import script failed to fill the tracklist the first time but worked correctly when I tried another time, so I'm not sure what went wrong
probably the script filled the tracklist before the webpage was loaded completely
I released a new version of the script also because I broke it in September apparently
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CatQuest
loujine: hm. I tried it several times and it always fais to loa the tracklist for me :(
"Virtually all of the fifteenth-century English carols are anonymous, but a small number are attributed to a medieval Lennon and McCartney, namely Smert and Trouluffe, both Devonshire men. "
:D
nattie
wonder if there'd be enough of those to fill an album
Four carols, all for two voices with three-part chorus, are jointly ascribed to him and Richard Smert in the Ritson Manuscript (GB-Lbl Add.5665): Jhesu fili Dei, Jhesus autem hodie, O clavis David and Soli Deo sit
I'll add them now
(works)
ah apparently 3 part Nesciens mater as well (where third also has smert)
don't really nderstand this short hands ,so gonna need some hlpe with that reosarevok